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EXHIBITION
RAYMOND GERVAIS
Finir
From April 11th to May 25th 2012.
Room, Freedom
AN APPARTMENT-BASED SEMINAR
April 6th and 7th 2012, daytime.
Room, Freedom takes shape as an appartment-based seminar offering a series of symposia on the question of private space, and the critical import of displacing certain apparatuses (the exhibition, the seminar, talks and discussions) into the private sphere. The project's title, Room, Freedom, is an elliptical rendering of Emily Dickinson's phrase " This is the room of my freedom".
Schedule under construction.
LIBELLE 15 °
Florence Lazar
EXHIBITION
ULLA VON BRANDENBURG
The Nonexistent Knight
February 15th to March 31st 2012
Opening on Wednesday, February 15th from 6pm to 10pm
Observe and dive into a world not only represented from the perspective of the real, but which one can also perceive through a play of specular duplication. Ulla von Brandenburg's works often move between such liminal spaces of the real — the spectral images in her drawings, her installations which plunge us into another world, and the highly dramatised mises-en-scène in her films. For her exhibition at Rosascape, Ulla von Brandenburg gives particular attention to the visual artifice of image duplication, of the meeting and confrontation of the real and its projection. Playing on the particular characteristics of the exhibition space — i.e., a private, domestic, intimate space, with a classical architectural style — the artist presents a series of new works here (videos, installations, drawings).
EXHIBITION
KATINKA BOCK
Tomorrow's words
From December 9th to February 3rd 2012
Opening on December 9th from 4 pm to 11 pm
Performance by Christian Jendreiko at 7.30 pm
Katinka Bock frequently presents memories as impressions in the form of rubbings, foldings or even as a puddle of water on the floor of an exhibition. As relics, her works reveal the temporality of the process itself and are akin to contemporary witnesses to a kind of stasis, or perhaps, the internalisation of actions. The visitor to the exhibition Les mots de demain (Tomorrow's words) encounters a host of traces of this sort, which is not unlike wading through sedimentary deposits.
LIBELLE 14 °
Ulla Von Brandenburg
December.
EXHIBITION
FABIEN GIRAUD
Du Mort Qui Saisit Le Vif (la maison du dehors)
From November 28th to December 3rd 2011.
Opening on November 28th from 4pm to 11pm.
Discussion between Quentin Meillassoux and Fabien Giraud on November 29 at 7pm.
Discussion between Ida Soulard, Sam Basu and Tom Trevatt on December 1st at 7pm.
Closing on December 3rd from 6pm to11pm.
Reservation : contact@rosascape.com
More informations about the discussions here.
In his solo exhibition at Rosascape, Fabien Giraud shows several pieces for the first time which he brings together under the heading Du Mort Qui Saisit le Vif (la maison du dehors). Under this generic and programmatic title, the works shown at Rosascape are part of a long-term project that is conceived as a kind of technological saga and which might be summed up as follows: technology is not the preserve of man. There is no distinction between man's technological production and the more general production of nature at work.
TALK
THE MATTER OF CONTRADICTION
On art without aesthetic
Discussions held on the occasion of Fabien Giraud's exhibition at Rosascape :
Discussion between Quentin Meillassoux and Fabien Giraud on November 29 at 7pm.
Discussion between Ida Soulard, Sam Basu and Tom Trevatt on December 1st at 7pm.
Booking : contact@rosascape.com
The matter of contradiction is a speculative proposition towards a future art theory. The matter of contradiction a symposium, aims to account for recent philosophical movements in post-continental thought and site them in relation to contemporary art practices.
TALK
BENOIT MAIRE
The aesthetics of differends
A talk with Benoît Maire, Corinne Enaudeau and Bruno Bosteels
November 11th at 7:30 pm.
The Aesthetics of Differends (a project started in 2008) is an artist's book which documents Benoît Maire's ongoing research on the "differend", a concept he borrows from philosopher Jean-François Lyotard. The book is both an artwork in itself and a philosophical and artistic exploration of the essential questions of postmodernity and the meaning of the postconceptual work of art. The first installment of texts and images was proposed in January 2011, a series of printed sections articulated around a first sequence entitled "Ontology of the There is".
LIBELLE 13 °
Raymond Gervais
November.
EXHIBITION
BERGER&BERGER
Altered States
Laurent P. Berger and Cyrille Berger
From October 7th to November 24th 2011.
Opening: October 7th from 4-11 pm.
Encounter with Bertrand Westphal, October 21st at 7pm.
Encounter with Federico Nicolao, Laurent P. Berger and Cyrille Berger, November 15th at 7.30pm.
Laurent and Cyrille Berger have been collaborating since 2006 under the name Berger&Berger producing a body of work located at the crossroads of architecture and visual arts. Altered States stages a series of pieces bound by the phenomena of disappearance and emergence.
TALK
Galerie michel rein plays host to rosascape for a discussion with dora garcia on the french psychologist fernand deligny
Tuesday September 27th at 7 pm.
As a continuation of Dora García's "Mad Marginal / Archives" project — an artist's book produced and published by Rosascape— Michel Rein gallery will be playing host to Dora García, Bertrand Ogilvie and Sandra Alvarez de Toledo for a discussion on French psychologist Fernand Deligny.
AN EXHIBITION BY VITTORIO SANTORO AT ROSASCAPE
Everybody lives as if no one "knew": some script works
From June 10th to July 29th 2011.
Opening Friday 10th, 4-11PM at Rosascape
Performance at 7 : 30 PM: « VISIONARIES & VOYEURS II » : An act for a voice and a projector, twice. 2011
For his solo exhibition at Rosascape Vittorio Santoro will be presenting some new series he started in 2010 and will complete a few days before the opening.
MAD MARGINAL / ARCHIVES
An artist's book by Dora García.
Available May 2011.
This edition is limited to 10 French-language, 10 Spanish-language, 10 Italian-language and 10 English-language copies. Each edition is numbered from 1 to 10 and signed by Dora García.